The international film music industry is growing considerably. In the US, composers tend to work with both a talent agent and a publicist. Nevertheless, as budgets for EU productions are rather moderate and their composers rather modest, EU-based composers are not always very familiar with the concept of ‘publicity & PR’. What can PR mean for a screen composer and how can they take advantage of it? Valerie from Post Bills is happy to share some insights and hands-on tips & tricks.
This session takes place online via the platform NetworkTables. Please note that seats are limited and available on a first-come, first-serve basis. So get yourself in motion and save your seat.